The podcast I recorded is based on a article by Tim Wood a senior writer at bleacher report. The article is about rumours that have happened in the past in sports. I once again talk about basketball as the main points. Picking this article was easy for me because I do not always agree with the rumours surrounding sports. This is due to the lack of consistency and the affects it can have.
It is my first ever podcast so please bare with me on it! There are lots of room for improvement!!
Wood, T. (2010, May 17). Craziest Rumors in Sports. Bleacher Report. Retrieved from http://bleacherreport.com/articles/393219-lebron-james-mom-delonte-west-and-the-20-craziest-rumors-in-sports
Friday, 28 June 2013
Monday, 24 June 2013
Summative Blog Post: Free Music or iTunes?
For this weeks blog I was a little surprised when reading
others post that they actually download music of iTunes. With so many different
ways for people to get music free why pay? I was also very surprised of Riley’s
comment when she said “You may be one of the first people I know of who purchases
albums off of Amazon (I'm curious to know why you don't buy the album at HMV or
Sunrise).” To answer this question, I use Amazon because it takes 1-2 days to
actually get the album. Amazon also offers discounts to repeat customers, which
is very useful. I find that with the advancements of online shopping that HMV
and Sunrise are very likely to go out of business, it is much easier to earn
the discounts from a site that you may purchase more then one item.
I was also surprised that newmediumnewmessage said, “I
have just recently discovered how easy it is to illegally download.” Many
people do not know websites in where they can download free music and some of
the websites are a little bit fishy when you first go on them. These websites
have popup, which can scare some people away. I have never heard of someone
being charged with downloading online. Though, I have once downloaded a movie
off a website when I was younger and got a message in the mail saying I have downloaded
a movie that is not out on DVD yet, and it was just a warning from Rogers that
I should stop. Also, like Riley said in her post "Being a musician/artist creating a fan base is way more important because those fans will support you by purchasing merchandise or concert tickets." The amount of money people saves when downloading music or DVD’s
for free can go towards people’s education instead towards iTunes. They can even go towards people going to see artist concerts in which they might purchase merchandise. I find that
it is very useful to download illegally and if someone asked me how to download
a song online I would gladly show them.
Monday, 17 June 2013
The Art of Music: To Purchase Rather than Download
When purchasing music I either buy a song on iTunes or buy
an album on Amazon. How many people do you think actually do this though? I am
a avid fan of downloading my music rather than purchasing it from places like
Apple and Amazon. I know that most Athletes listen to music before a game and
have always wondered how they get their songs and often find myself asking “Do
they get it before the public since its possible they are friends with the
artists? Do they download it? Or do they do the right thing and purchase it?
“The battle
over online music in the US turned ugly in the summer of 2003 when the
Recording Industry Association of America (RIAA) initiated lawsuits against its
own consumers (Condry, 2004)”. Also Burkhart and McCourt (2003) state, “The
1998 Digital Millennium Copyright Act (DMCA) extended intellectual property
protection to domains pre- viously overlooked by federal copyright law. When people
are downloading music it is technically illegal and with a copyright code
record labels can sue the people who “leak” albums and songs. This
sometimes scares people into downloading music or videos because they think
that if they get caught they can possibly get charged or sued for lots of
money.
Purchasing
music can be very expensive. On iTunes it costs $1.29 per song and as a student
who enjoys listening to music it could be very pricey in the long run. The
quality is usually better when you buy a song but if you like burning CD’s for
your car or friends downloading makes the music into a MP3 mod is better. It
allows you to put more than 19 songs and you can still enjoy the music at a
lesser quality. If I could tell people weather to download a song or purchase I
would recommend that they download. This practice conflicts with copyright
issues because I would be recommending people to break the law.
Overall, I
think that if iTunes charged a monthly fee much like Netflixs more people would
be welcome to purchasing music online. It would allow consumers to purchase a
monthly subscription with songs that they can listen to and keep on there
computers for a certain amount of time.
References
McCourt, T., P. Burkart. (2003). When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution. Media, Culture & Society. 25 (3), pg. 333-350
Condry, Ian. (2004). Cultures of Music Piracy: An Ethnographic Comparison of the US and Japan. International Journal of Cultural Studies. 7 (3), pg. 343-363
Friday, 14 June 2013
Sports: They Can Be Remixed Too!!
The short video I show the that sports can be remixed just like movies, television, and music. I specifically focus on the NBA in the short video and show that when one team becomes creative and WINS others will follow to do the same!
I created the clip using Mozilla Popcorn, and took the videos used from YouTube, while the pictures where taken from google. The pictures have direct links to the original posters.
Here it is!! https://brandonisraelson.makes.org/popcorn/15q3
Hope you enjoy!!
Brandon
Monday, 10 June 2013
Summative Blog Post: Surprising
This week’s module was to give us (the class) the knowledge
that many things we consume have already been created once before. There were
many surprises this week for me because I love music, and movies. It is very
hard for people born in the 90s to know that the music they might be listening
to contains content from someone else’s song created in the 40s/60s/etc. I used to thing some producers were just creative in making instrumentals for song artist, but know I wonder if they are just using something that was already created. With movies it is understandable because there are so many of them but its very hard to come up with a blockbuster film without having the creation of a film that was not a successful book or the movie being a sequel. Many movies that have broken records (Batman, Avengers, Harry Potter) are based a book/comic that people grew up loving. There are so many books out there, that have yet to be transformed into movies but as a movie lover I still look forward to seeing movies and listening to music that have remade into new versions of the original.
Courtney Semmler brought up a great quote in her comments about in my initial blog this week “Online
Consumer/Produce: A Copyright Free Internet?” This quote was "If you
steal from one author, it's plagiarism; if you steal from many, it's
research" by Wilson Mizner. This is exactly how YouTube works, people steal a video and make it there own, and this keeps continuing throughout YouTube. If a YouTube user is creating a cover of a successful song it is the same process. It would be interesting for me to see people to come up with there own creative ideas and become the next online success story.
Thursday, 6 June 2013
Online Consumer/Produce: A Copyright Free Internet?
Kirby Ferguson’s four-part documentary (Everything is a Remix) was very
interesting. He showed his followers that many things in Hollywood are repeated
or “fixed” into how the artists want it. I found that in the video’s we learn
that many movies are based on books, or sequels, and that songs instrumentals
are very similar to original songs made by jazz artist in the early
1900’s.
In the past year, I have consumed and produced many
different things by incorporating it online. Consumed is a very big part of online history for people, it
is typically the knowledge that one has absorbed from online. Assignments
handed out in class would not be completed if it weren’t for looking online to
make it creditable. Many people also consume different things. I may enjoy
sports but not everyone does. So when I gain knowledge online about sports, I
am consuming the information. Producers love consumers! To be a producer you
are hoping that consumers are going to buy or in Kirby Ferguson’s case donate.
With that said, I have produced online material using YouTube so that everyone
could enjoy what was made. But I did not charge anyone money or ask for any
donations. Today
many of the clips on video-sharing sites like YouTube bear a remarkable
similarity to these early films. They too address the audience directly, are
exhibitionist and are frequently sensational and shocking (Rizzo. T). To be
encouraged to produce my own online content I would have to be very committed
to the topic and need financial backup to keep it interesting and fun!
Online communities of “producer- consumers”
literate in new media work toward building a robust and freely accessible
cultural commons in the face of restrictive copyright laws in many different
ways. For instance Jenkins (2004) said in his article that “New media technologies have lowered production and distribution
costs, expanded the range of available delivery channels and enabled consumers
to archive, annotate, appropriate and recirculate media content in powerful new
ways.” Have I followed these rules? no ... When downloading music I do not buy it from iTunes or buy a CD from a store, I download it from a website. I know that I am facing copyright laws by doing this but it has never stopped me from continuing. Many people around the world do not follow these laws and if they were to build a new way of having a cleaner internet, I think many people would be left unhappy!
References
Rizzo, T. YouTube: the New Cinema of Attractions SCAN | journal of media arts culture. Vol 5, No. 1, Online journal.
Jenkins, H. (2004) The Cultural Logic of Media Convergence International Journal of Cultural Studies March 2004 7: 33-43
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